Good News …and The Same-Ol’-Same-Ol’

There is currently (as of this writing: 09/05/2025) a big boat-load of music legislation before Congress.

THAT is the good news.

The “same-ol-same-ol?” Well, how about the fact that none of this legislation actually addresses the financial elephant in the room: the fact that recorded music is expected to be delivered to everyone for FREE.

To use a term from our golden age: I hate to “sound like a broken record” but my ever-repeating vinyl lament is this: Is there ANYTHING that can be done to address the fact that ALL of recorded music is available (and demanded) at little to no cost by the entire public? Yes, one has to pay a small monthly fee to Apple or Amazon to have access to EVERYTHING that has ever been recorded… but I’m here to tell ya that THAT money NEVER gets to the content creators, performers, or songwriters/composers.

Is this baked in for all time?

Is there any other professional business, craft, or profession that operates in this manner? Let’s turn the tables a bit and see how realistic THAT seems…

1. For $10.00 per month by joining TheaterFlex you can see ANY movie ever made. For $15.00 per month! You can see them in theaters with free popcorn!

2. For $29.99 per month by joining ATeam-Legal you can hire ANY lawyer on the planet for FREE! Anytime, anywhere.

3. For $9.95 per month by joining Pypes, you can have a team of expert plumbers repair, replace or create ANY type of plumbing fixtures or resolve issues at your house or yard for FREE!

I think you get the idea.

Why would none of these options work in the real world? Because hard-working people who have trained for YEARS to become professionals in their chosen area of endeavor expect to be PAID for what they do. And so they should!

Why then is it that musicians of all types are expected to spend THEIR money on an education (be it in school, interning in a professional situation, learning on the bandstand, etc) and then simply GIVE their hard founght for creations to the public for FREE!? And these creations don’t come into being magically for no cost. Hardly. There is the price of the equipment to realize said music (DAW, computer, cables, dongles, and gear, OH MY!), the recording studio and mastering fee (home or professional), and then the cost of self-promoting. This adds up.

This does NOT put food on the table.

There ARE some nice things in this flurry of legislation such as the “No FAKES Act” (FAKE stands for “Nurture Originals, Foster Art and Keep Entertainment Safe”) This heroic effort is trying to protect musicians from deep-fake AI takeover. Of course–if successful–No FAKES will help the already famous and wealthy “songtrack of our lives” folks the most. There really aren’t many deep fakes out there of the latest modern chamber orchestra or your favorite local jazz quartet. But that might keep The Beatles and Tay-Tay more safe. And that is a very good thing. But what about the aforementioned conundrum of recorded music?

If you give a close look at the rest of the legislation, you find that if anything, it will protect those corporate folk in the music world who are already making money: record labels and the goon-like organizations who suck up to them. (Wow! That sounds catty, no? Well, I haven’t eaten in a while. Cut me some slack.🤠)

There are also two pieces of legislation that are designed to help with the cray-cray ticket price/acquisition problems: “The Transparency in Charges for Key Events Ticketing (TICKET) Act” and The Mitigating Automated Internet Networks (MAIN) for Event Ticketing Act. As an aside… I really dig the time and effort they all took to come up with these clever acronyms. Did someone get paid for that, or did they do it for free. I wonder?

I am all for reducing ticket prices, but performing live is the only recourse that artists have left where they can make money, so we should tread fairly and carefully in this arena. But I WOULD like to see Sir Paul McCartney for less than $300. I don’t think THAT is too much to ask. Just don’t reduce the price of tickets at Joe’s Slophouse where the “Internal Quandry Jazz 7-Tet” is playing next week.

So what is the takeaway here? I suppose that while it is indeed wonderful that ANYTHING concerning music is being introduced into our fractured and sluggish mess of a legistaltive body these days, I do hope that at some point (SOON!) that someone, SOMEWHERE will address the MAIN need of music creators. And what is that main need? Recognition? An audience? Nope. That real need is the fact that they simply can’t make a living wage doing that Voodoo that they do.

Music is ESSENTIAL folks. Let’s do something to keep it alive and well-fed.

Leave a Comment

Your email address will not be published. Required fields are marked *

Recent posts

The King and I

As the super group Chicago moves closer to its 60th year, I wanted to talk a bit about just how much the music of Jimmy Pankow has meant to me and my world…

Read More »

Indistinguishable From Magic

Three years ago, an Electro-Knight slayed a dragon that lived in my chest. If you need his help I’d like for that same good Knight or one of his colleagues to help you…

Read More »

Starry Starry Night

Sir Ringo Starr and His All Starr Band performed in Chicago last night at the gorgeous Chicago Theater. Deborah and I were there…Gregg! A BEATLE!

Read More »
Scroll to Top