
Hey y’all, guess what? We still have TWO Beatles left, and Deborah and I saw one of them last night here in Chicago!
Thanks to my Maynard Ferguson blood-brother, Gregg Bissonette, I have one degree of separation from Sir Starkey himself (IKR?!). Ringo no longer receives guests at his shows (at 85 years old, COVID is an option he will no longer risk—understandably), but my man Gregg held court and we had a BLAST! (For all about Sir Bisso, check out my podcast with this tour de force: WIESTWORLD with Special Guest Gregg Bissonette )
After his serious collection of “All Starrs” take the stage, Ringo himself RUNS out to thunderous applause and a standing O from the multi-aged sell out crowd. It’s at that moment that “people of a certain age” (such as yours truly), people who were teenagers during “Beatlemania” (not yours truly—I was seven when they conquered America on the Ed Sullivan Show), and younger folk who dig his new country album all realize at once: “Here he is! One of only four people who changed popular music and made a HUGE impact on popular culture…that’s RINGO!”

I came to the music of The Beatles pretty late. But when I did, I went after it full-blast! “How do these guys get SO much out of these basic chords?” With The Beatles, there was a deeper alchemy in play with melody (sticky memorable lead lines and Sir Paul’s bass genius) the “negative harmony” of plagal cadences, profound lyrics, fun silly nonsense lyrics, Ringo’s rock-steady and perfectly crafted unique grooves, stunning vocal harmonies from all four gents, and the magic contributions of that Fifth Beatle, George Martin.
As a jazz composer, I was smitten with this sonic Beatles wizardry and was determined to have some of it in my own oeuvre –a mission that is happily ongoing to this day.
But let’s take a moment to look at the genius of the “All Starr Band” itself. Ringo has enough hits to fill a solo concert in his own right, but in the ultimate egalitarian move, chooses to make himself a part of a greater whole by creating a superband for every tour. As a self-described “band guy” who loves being part of a group rather than the sole frontman, Ringo regularly gathers the best and brightest for every journey that they make. This tour is certainly no exception. Check out who he has called forth this time and the set list that such a gathering makes possible:
THE ALL-STARRS
Steve Lukather (Legendary Guitarist/Vocals with Toto)
Colin Hay (Vocalist, Composer, Guitarist with Men at Work)
Warren Ham (Saxophonist and WWs/Harmonica with Kansas and Toto)
Hamish Stuart (Bassist and Composer, Average White Band)
Gregg Bissonette (Extraordinary drummer DELUXE with Maynard Ferguson, David Lee Roth, Gino Vannelli, and MANY others)
Buck Johnson (Keyboardist and backing vocals for Aerosmith and many others)
THE MUSIC
Rosanna, Hold The Line, Africa, Who Can It Be Now? Down Under, Overkill (one of my personal favorites), Pick up the Pieces, Cut the Cake, and Work to Do.
WOW!
This is brilliant! Not only do we get all the joy, peace, and love that a Beatle brings, but we are also treated to a delightful sampler platter of some of the hippest hits that ever graced the airwaves in popular music. Such a deal!
But at the end of the day, this is all about one of the most durable, affable, non-controversial, and beloved personas in all of popular music history… Sir Ringo Starr.
It seems to me that Ringo has always been here, telling his stories, sharing his love, playing his iconic drum grooves with PERFECT time (NOBODY has a deeper pocket!), and singing ever-relatable vocals with his everyman baritone, all the while sporting shades and a visage that is unchangeable and loved by all. And we are all very grateful indeed for his presence.
The man who coined epic phrases such as “a hard day’s night” just keeps on giving and giving. And as long as he does (and beyond), all of us will happily and gratefully be better for it.
Peace and Love!
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How about a song that describes this happy endeavor perfectly: